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Creative storytelling with Quentin Tarantino

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Creative storytelling with Quentin Tarantino

Stories are the cheat code to winning over your audience. Putting the viewer in somebody else’s shoes, conveying your purpose and making them truly feel something – that’s what the best campaigns can do.

But it’s also the reason that directors like Quentin Tarantino are known for being the best in the biz.

No one tells stories quite like QT – so, here’s what you can learn about building a story that keeps audiences enthralled, with a little help from the eccentric director’s catalogue of all-time classics.

Warning: this one might not be PG.

Share the integral parts of your story

Build the world, put your audience in it

“That’s when you know you’ve found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.”
– Mia, Pulp Fiction

If Tarantino is known for one thing (beyond bleedin’ excessive violence) it’s the powerful characters and worlds he creates. By the time we hit the 15-minute mark, we already care about the people on screen and the world they’re living in.

That’s because the director has given us a front-row seat to watch the life of a character unfold. It’s like we’re in the room and we’re left hanging on their every word.

It’s remarkably difficult to communicate a message in only a matter of seconds, but the best campaigns tell us the integral parts of a story – and let the audience fill in the gaps themselves.

Rewatch the Norwich City FC campaign for World Mental Health Day, for an example.

Humour can be a powerful vehicle

Humour is your secret weapon

“My hands are registered as lethal weapons. That means we get into a fight, I accidentally kill you? I go to jail.”

“Anybody accidentally kills anybody in a fight, they go to jail. It’s called manslaughter.”
– Bruce Lee, Once Upon A Time In Hollywood

Emotion is how you win people over. And what’s better than making someone laugh?

Tarantino often uses humour to communicate serious subjects in a way that feels… well, less serious. That could be the emancipation of Django, killing off a few of the Manson tribe or chopping off a naughty hostage’s ear.

But more importantly, humour can also be a great vehicle for just having some fun and doing something a little bit unexpected.

Rib tickling campaigns in years gone by include Old Spice, Cadburys (both eyebrows and drumming gorilla) and Snickers.

What do they all mean? Who knows. But we remember them.

Be bold and brave

Change history – literally

“Say “Auf Wiedersehen” to your Nazi balls!”
– Hugo Stiglitz, Inglorious Basterds

Kill Hitler, save Sharon Tate. That’s a pretty good trade, we think. Creative storytelling allows you to rewrite history, change the present or imagine a new future.

Tarantino’s storylines are completely wild and are almost entirely the stuff of fiction, but it shows that if you can think it up, you can create it.

Be bold and be brave. Don’t like the way something is? Change it! Your campaign can communicate what your business is doing, the story you’re writing and the impact you’re having on the world.

Check out Nike’s Dream crazy ad that made waves at the time of release.

People love a moment of shock and awe

Off with a bang

“Our mutual friend has a flair for the dramatic.”
– King Schultz, Django

Now, the pièce de résistance. The bangs, the blasts, the blood and guts flying all over the shop.

Quentin Tarantino’s penchant for pulverising and picking off his characters is a cinematic trope that is almost guaranteed when you watch one of his films. Armed with popcorn and an obnoxiously sized fizzy drink, we’re ready and waiting for the inevitable.

In the real world, we’d definitely advise against public demonstrations of violence for your creative campaigns. That’s a given. But… if we can learn something from these standoffs and showdowns, it’s that people respond to a moment of shock and awe.

Campaigns that make people stop and stare, stories they can’t stop reading and videos they can’t take their eyes away from – that’s how you win the battle for attention.

Stuck on a creative cliffhanger?

Your story doesn’t have to end here. If you need help bringing a campaign off the page and into the real world, we would love to be your creative partner.

To find out what we’ve got inside our golden suitcase, just give us a shout.

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Alexander Mills, Communications Manager — South Yorkshire Fire & Rescue

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DR ELENI ATHANASAKOS, Lead Paediatric Clinical Scientist — NHS Barts Health

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Kath Evans — Director of Children’s Nursing at Barts Health

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Dr Anna Batho — Clinical Psychologist – Critical Care, UCLH

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Georgia Beech — Internal Communications Specialist, Ocado Group

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Steph Tranter, Hybrid Exec Coach & Psychologist — StephTranter.com

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Emma Wright — South Yorkshire & Rescue

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At a time like this, its never been more important to share the amazing work that our staff have done and continue to do on a daily basis under very difficult circumstances. We wanted to shout about this and recognise that when the time came, South Yorkshire Fire & Rescue stepped up to the plate. We didn’t want an ordinary thank you post on social media or a basic email sent out internally, we wanted something special. Enter Alive. ”

Emma Wright — South Yorkshire Fire & Rescue

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Keren McCarron, Head of Corporate Affairs & Communications — KP Snacks

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Thank you so much. Incredible work done at incredible speed by incredible people.
Outstanding work as ever and what a turnaround. As for the concepts – wow. These are that good it would be an insult to describe them as just good. It’s a joke, quite frankly. This is exactly the Alive effect I was after. Right now I feel like I am living in an Alive With Ideas wonderland. Thank you!”

Jack Grasby, Campaigns Manager — SYFR

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Amy Lilja, IC Manager — Hennepin Healthcare

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Julie Odams, Assistant Director of Communications & Customers — Derbyshire County Council

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